http://www.youtube.com/watch?v=fT-OhRyonXc
Wednesday, 17 September 2014
Sentry Duty by Steve Rudd
Halt! who goes there?
Maybe it’s just the darkness coming up the garden
Between and through the trees
Like Birnam wood, en
route to Dunsinane.
I’ll take first watch, I thought,
And here I am again, the lone sentry,
Just me and my little bayonet,
Holding back the dark
By staring into it, defiantly.
These nights, this time of year,
A feeble glimmer around
About four-thirty heralds dawn;
I must not sleep on guard, on duty,
But once the light washes greyly up the sky
Behind the branches
I can sleep then, relieved at last.
Until then, I issue peremptory challenges,
And hope to deter; doors all bolted, locked,
But still the dark seeps in, and
My enemies, my responsibilities
Sit heavy on my head as a steel helmet
Scarred by life’s shrapnel.
This dark trench I find myself confined in
Through a waste of mud that used to sustain life
Leads all the way to the ocean,
And escape means only barbs that tear
Or tears that barb, desertion, or disgrace.
Stand to, up on the firestep! Here flies
Yet more shit your way!
Hush, here comes a whizzbang!
And it’s heading straight for you -
Fix bayonets, five rounds rapid,
Then pull through.
Somehow, pull through.
My Dad would have understood all this
In his sojourn under the summer orchard trees
Listening for the Luftwaffe’s engines
Rerr-rerring their way across the Channel
Bearing destruction, bearing fire, and
Shrapnel that hummed like hot hornets;
My Grandad, looking through his periscope
Into no-man’s land, would have known
My coiled and tangled wire,
My weariness of body, and of heart.
And, these days, I feel more and more like them
Now I, too, am become sepia and faded,
Slightly out of focus, and tattered at the edges;
Like them, I never volunteered for this;
Oh no, despite my frequent objections of conscience,
And the fact that I am scared shitless,
I too was conscripted, enlisted, just like them,
by the grim recruiting sergeant, Death
NEW POETRY TITLE FROM THE KING'S ENGLAND PRESS
HAUNTINGS: Poems and Stories by Steve Rudd
(August 2014) ISBN 978 1 909548 37 4
9" x 6", 152pp, paperback £7.95
(August 2014) ISBN 978 1 909548 37 4
9" x 6", 152pp, paperback £7.95
Tuesday, 1 April 2014
To An Old Ex, On Her Birthday
Why do I do this, why torture myself
With these visions of summer hedgerows
Laden heavy with fragrant blossoms;
And Chichester harbour, the masts of yachts
At the bottom of opulent lawned gardens,
Roman palaces once found underneath;
Mosaics we once paid a pound to see?
Why do I do this, why do I even allow
You in my dreams and musings?
Even though I know you’re now
Fifty-six years old, wherever you are.
Uncharitable, but true. So,
Why do I do this; why does my mind’s gunsight always zero in
On 1986? Now, in my cold monastic cell, my wizened hovel?
How did I ever once go, down those green lanes
Leading to sea; pull up outside your flat
In a spray of gravel, twenty-seven years ago?
And here’s this damaged Polaroid, its
emulsion gaudy and dateless as a memorial window,
Of you tending the barbie – Oh, summer days,
Down at that railway carriage in the sands
That served as changing room and chalet. Surely
Somewhere, it must always be that seaside summer;
Witterings Beach, with ‘Uptown Girl’ on the stereo,
While the sun was always warm and westering
And we in our brown skins were both blessed with salt.
Anyway, I’m sorry.
I seem to say that, more and more, these days,
To a range of disappointed girls, some historical,
Some even dead: the rest are photographs.
And some days, hot remorse
Courses through my veins like mercury
I’ve not done very well; it must be said.
I hope you’re still OK, and doing fine;
Much as I miss your face, your hair, the candleight, the wine,
Perhaps you’re better off a haunting dream -
I wouldn’t wish you shared this shrivelled life of mine.
With these visions of summer hedgerows
Laden heavy with fragrant blossoms;
And Chichester harbour, the masts of yachts
At the bottom of opulent lawned gardens,
Roman palaces once found underneath;
Mosaics we once paid a pound to see?
Why do I do this, why do I even allow
You in my dreams and musings?
Even though I know you’re now
Fifty-six years old, wherever you are.
Uncharitable, but true. So,
Why do I do this; why does my mind’s gunsight always zero in
On 1986? Now, in my cold monastic cell, my wizened hovel?
How did I ever once go, down those green lanes
Leading to sea; pull up outside your flat
In a spray of gravel, twenty-seven years ago?
And here’s this damaged Polaroid, its
emulsion gaudy and dateless as a memorial window,
Of you tending the barbie – Oh, summer days,
Down at that railway carriage in the sands
That served as changing room and chalet. Surely
Somewhere, it must always be that seaside summer;
Witterings Beach, with ‘Uptown Girl’ on the stereo,
While the sun was always warm and westering
And we in our brown skins were both blessed with salt.
Anyway, I’m sorry.
I seem to say that, more and more, these days,
To a range of disappointed girls, some historical,
Some even dead: the rest are photographs.
And some days, hot remorse
Courses through my veins like mercury
I’ve not done very well; it must be said.
I hope you’re still OK, and doing fine;
Much as I miss your face, your hair, the candleight, the wine,
Perhaps you’re better off a haunting dream -
I wouldn’t wish you shared this shrivelled life of mine.
Thursday, 26 September 2013
Two New Poems by Gez Walsh
I Am Pimp
I am pimp; I take your
language and make it my own.
Your malleable words become
mine to do as I wish.
What is your pleasure? What
would you like me to supply you with?
I have a lovely pair of double
entendres for you to look at!
Or maybe you prefer your
expletives neat, and want full frontal titillation?
Do you want your words to
disturb the mind and colour the soul?
What about something young and
in your face?
I never judge; I like a bit of
puerile myself from time to time.
Let my words play with your
ears and wet your mind,
I can twist them, bend them,
strip them, dress them,
pay me your money and I shall supply them
anyway you like them.
I am Pimp, I am pomp, I am
poem, I am poet!
Ten More Minutes, Please!
I feel your cold presence here
in this room
See a fleshless vision through
the gloom
I know it’s my time to walk
with you,
But in my mind a few things I
must do,
Grant me ten more minutes,
please!
So I may again walk upon a
golden sand
With the one I love hand in
hand
Underneath the warm
Mediterranean sun
With my legs once more enabled
to run
Just ten more minutes, please!
So I may hold my children to
my heart
And kiss their lips before we
must part
Then sing out loud my favourite
song
Amongst my friends where I
belong
Then dance the steps of a
thousand dances,
Relive the glares of envied
glances,
To fight the fights I should
have fought,
And teach the lessons I should
have taught
I shall remember friends that
have walked with you
These are things I need to do,
To swim with dolphins in a
crystal blue sea
To meditate beneath a willow
tree,
Just ten more minutes, please!
So before you bring down your
razor scythe,
Let me drink my last gulp of
life
Then reaper I shall willingly
walk with you
Hand in hand to pastures new,
But grant me just ten more
minutes please!
Friday, 13 September 2013
Glen Sannox by Steve Rudd
Which came first, mist or mountain?
No-one knows, no man alive, nor in the tombed enclosure
By the old Baryite mines: not even the dotted sheep,
generations
Grazing on tumbled cairns,
stone circles, chambered tombs
Or huts now dents in fields. No-one knows if one day
The mists thickened, or parted like veils
To reveal a maiden’s breast, or a jagged comb;
Or if one day, the granite in the clouds, always nascent,
Simply solidified, into a massive unconformity.
ArĂȘte, col, moraine, corrie; these are all words I learned
in school
Much later. Words we use to describe something that is
wordless,
Elemental, too old to have words of its own, or if it had,
They are now incomprehensible
As marks of cups and rings
Once carved in weathered stone
By hands that long since blessed the sky in prayer.
Such crags, clints and grykes, drumlins and eskers
Were lodged early in the glacier of my schooling,
These words we give to mountains too big for words;
Hoping to appease their Gods,
But surely something this dramatic
Cannot just have been ground out over years by ice
Oozing in the long groan of its melting; surely
These mountains are mere scenery!
Created right now, conjured by the art of wizards, druids,
Using the ochres of rowan, slate, heather and blaeberry,
somehow,
And when the mist comes down again,
They will rumble away, on some hidden mechanism
Changing my island fantasy, its acts and characters, once
more.
Life is made of mist and mountains,
But how to tell which is which, ah, that’s the question:
How to tell which came first, and what my face was like
Before the mountains were made of mist, or mist of
mountains,
Before the nameless people flint-scored their marks on
cromlechs:
First there is a mist, and then there is a mountain,
Then there is no mountain, then there is.
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