Friday, 5 October 2012
Dog Days by Steve Rudd
No man steps into the same river twice – Heraclitus of Ephesus
Outside of a dog, a book is a man’s best friend, and inside of a dog, it’s too dark to read anyway – Groucho Marx
Dog Days: I
Going back, to places we were happy, once
The fields, bare, along the roadside, en route
All flat, mown, sere, this late in harvest,
As summer piles a year’s confected clouds
On top of distant hills, improbable
Sky-meringues, floating islands of sunset fantasies
Fifteen months since we came here, and yet
Still the potholes, in the rutted roads
Down byways here, where few, if any, come
Are bad as ever, moonscape lakes
To break and crack unwary axles
But, finally, we’re here, and I quarter off
By eye, the lumpy Mull of Kintyre
Across the horizon; the red can buoy
At Carradale, the lighthouse, Island Davaar
Wind-waves twinkle out in the Sound, flash points of light
Jewels, tempting as ever; she says she’ll walk
Along the beach for driftwood, for a fire,
But on her own: we both acknowledge
But do not say, that there should be a dog
Yes there should be a dog
How can we carry on, curating our life’s museum,
Her erstwhile stewards, and her being out of sight
Yet always somewhere just round every corner?
Are we doing it to prove that she’s still here, somehow?
Or we can do it anyway? Or both?
Going back to places where happiness, that
Fleeting concatenation of atoms
Welcomed us and opened our hearts to gladness
Such as it was?
What will it take? I’m scared to think,
To admit without the final missing pieces
Lost when Heraclitus upset the puzzle
The jigsaw stays forever unresolved.
Dog Days: II
Like Bede’s sparrow, time’s arrow,
We fly from dark to dark.
Dark to light, warmth – gone to dark
A fleeting spark
Dark for us, was winter littered with bricks and broken glass
And work, of course, treadmills of arguments, and pissing rain
Ice-cold; the never-ending fights
Endless, pointless, as the monochrome street-lights
And waking to the sound of car-alarms
All that’s behind us now, here, on Kilbrannan’s shore;
It all awaits us, still, again how soon, when we get home
How soon shall autumn over-reach itself and tumble
Decay to darkness as before, leaves despairing clutching hands
Struck down by rain?
But now, on this far-distant North-West shore
The sun beats on my page
Fusing ink to paper in one word:
Heat
- Already dry, almost as soon as written
The sound of the waves; the lap and swish and soothe of the waves
And the shush of the waves, the sun on the waves, the smell
Of ropes and tar, ozone and seaweed, of the waves
The waves to carry her back from Carradale
To Dougarie, to me, sadly alone and waiting,
The bees busy on the wind-nodding cowslips
But no dog asleep in the long, soft, aromatic grass;
Instead, the heat’s translated her to ashes
Atoms of ashes, and the seagulls wheeling above
Cry “weep, weep”.
Dog Days: III
These waves are not the same waves
That lulled and lapped us last time
When she was still with us; those waves now break
Long gone from here, on Bermuda’s shore
Or crash rocks on Tierra Del Fuego, those waves
Are gone, long gone, says Heraclitus
Those atoms have moved on, we cannot see
them now; her atoms also
Could be all around us, never-known
All we can do is hope her quickness
Is the lapping of these waters, the
Start of the birds; her dignity the grace of clouds
Her anima the gulls along the shoreline
Keening our grief still; where two herons stand, disputing
Like Pythagoras and Heraclitus, each contending about souls
And where each other’s atoms are, right now.
Meanwhile, in heat, some other atoms have become massed
To cowslips and marram grass
Burnet, sorrel, milfoil ragwort, whin,
But these are today’s plants, not yesterday’s
And even the Mull of Kintyre is vanished by the clouds
And reappears, with Ireland smudged behind it, but
These days are not those days, insists Heraclitus
Grave as ever, even though they look the same
Sound the same, and feel the same – no dog.
I am getting pissed off with Heraclitus, to be honest;
Nobody likes being told uncomfortable truths
No doubt he’s right, but God, the man’s a pain!
Reminding me, as if I didn’t know
I’m not that person now
Nor will I be again.
Sunday, 23 September 2012
Household Gods by Steve Rudd
And in whatever houses a cat has died by a natural death, all those who dwell in this house shave their eyebrows only, but those in whose houses a dog has died shave their whole body and also their head. The cats when they are dead are carried away to sacred buildings in the City of Bubastis, where after being embalmed they are buried - Herodotus
Somehow, we’ve acquired a statuette of Bast,
Egyptian cat-goddess, at some point in the past
This bric-a-brac that lumbers
And infests our house produced her;
A manifestation, bronze, she sits in the hearth
Uneasy alongside the firedogs
With a bland, impersonal gaze
Somehow, and also in the past, of course
We acquired four real cats,
Real cats, for real, for better or for worse
Real cats familiar with witches’ curse
And invocations;
For midnight duvet invasions,
For yowling for food and
For sleeping curled up in a tight
Yin-yang ball, by the fire,
On a bed in the hearth.
The Egyptians, so I’ve heard
Would have worshipped them;
And when the owner died, he too went in
The same tomb, mummified,
In the Temple at Per-Bast
And why not? Look in any English church
The chainmail knights’ feet, pointing forever
Towards Jerusalem, are resting on a bratchet.
Worshipped in Egypt, cats; gods of the house
Foe of the mouse, the rat the snake
Guardians of grain in times of plague, ague and ache,
Allowed to eat from the plates of humans,
Milk to drink, (that much, at least was true of ours,
Sometimes, before we’d finished…) and I think
Maybe we also worshipped them, but
In our own inadequate way
Bast was their guardian, throughout,
The Lady of Cats - when the last one ailed
We lit incense, smoke from the joss stick
Hung round Bast’s statuette, veiled her,
As we prayed to every deity we knew,
But this time the Nile refused to flood,
There were no miracles in the bulrushes, and
The Red Sea stayed unparted, all spells failed.
So go, and bring me Cassia and Cinnamon,
Juniper Berries, Oil of Cedar, Myrrh and Henna,
Raise her a garden-cairn, a pyramid;
Bring me Nile-water to wash me and console me
Bring me incense of Dittany of Crete,
And soap that I may shave my eyebrows off,
While I’ll still miss her whiskered kiss, old puss,
Purring companionship, look down to find my ink
Blurred by the tears that rain on the papyrus
My grief wrought with this metaphor of Bast
Ringing on the dull anvil of my brain
Somehow, we’ve acquired a statuette of Bast,
Egyptian cat-goddess, at some point in the past
This bric-a-brac that lumbers
And infests our house produced her;
A manifestation, bronze, she sits in the hearth
Uneasy alongside the firedogs
With a bland, impersonal gaze
Somehow, and also in the past, of course
We acquired four real cats,
Real cats, for real, for better or for worse
Real cats familiar with witches’ curse
And invocations;
For midnight duvet invasions,
For yowling for food and
For sleeping curled up in a tight
Yin-yang ball, by the fire,
On a bed in the hearth.
The Egyptians, so I’ve heard
Would have worshipped them;
And when the owner died, he too went in
The same tomb, mummified,
In the Temple at Per-Bast
And why not? Look in any English church
The chainmail knights’ feet, pointing forever
Towards Jerusalem, are resting on a bratchet.
Worshipped in Egypt, cats; gods of the house
Foe of the mouse, the rat the snake
Guardians of grain in times of plague, ague and ache,
Allowed to eat from the plates of humans,
Milk to drink, (that much, at least was true of ours,
Sometimes, before we’d finished…) and I think
Maybe we also worshipped them, but
In our own inadequate way
Bast was their guardian, throughout,
The Lady of Cats - when the last one ailed
We lit incense, smoke from the joss stick
Hung round Bast’s statuette, veiled her,
As we prayed to every deity we knew,
But this time the Nile refused to flood,
There were no miracles in the bulrushes, and
The Red Sea stayed unparted, all spells failed.
So go, and bring me Cassia and Cinnamon,
Juniper Berries, Oil of Cedar, Myrrh and Henna,
Raise her a garden-cairn, a pyramid;
Bring me Nile-water to wash me and console me
Bring me incense of Dittany of Crete,
And soap that I may shave my eyebrows off,
While I’ll still miss her whiskered kiss, old puss,
Purring companionship, look down to find my ink
Blurred by the tears that rain on the papyrus
My grief wrought with this metaphor of Bast
Ringing on the dull anvil of my brain
Tuesday, 7 August 2012
Moments by Steve Rudd
Sometimes there are moments,
Like this one in the car park
An afternoon of eternity
Seems fixed in the moving of a cloud
Over the rooflines of town;
Or in that plane that droned across the sky
The morning of Aunt Sadie’s funeral.
Why should they etch themselves
Acid-deep onto the retina of memory
When all those other days
Days we’d looked forward to,
Anticipated, long and eager,
Passed flat, anticlimactic, unremembered,
And finally unrecorded?
Is it because, I wonder,
What some might call God
(but only when pissed, or sad, or both)
Bids us to remember in this way only
Things it deems important;
Sunsets, or the movement of waves
Across the bay; these transitory clouds,
The sway of the branches all around;
Moments in eternal stasis
Leaves, alternate green and gold
In lux aeternam
Even though the trees themselves
Will die in time to compost?
A holy juxtaposition
Sears like a branding,
A momentary hiss of painful joy, then
Leaves white clouds, towering in summer sky:
I will remember this, although I don’t know why.
Saturday, 7 July 2012
New Poetry Title from The King's England Press
We are pleased to announce the publication of the latest
collection of poems by Steve Rudd
ALBION is available from The King's England Press directly at www.kingsengland.com at £7.95 (print edition, 9 in x 6 in, pbk., 59pp,
ISBN 978 1 872438 65 8)
Or, if you prefer, there is an e-pub edition available from Lulu Inc at £3.99
Steve Rudd was born in Hull, East Yorkshire, in 1955, completely naked, unable to walk, talk, or fend for himself. His chief poetic claim to fame is that he once served Philip Larkin in a bookshop. Unfortunately for both parties at the time, he mistook the great man for Eric Morecambe.
He lives in West Yorkshire with a wife, a cat, and a variable number of dogs, but not necessarily in that order. His hobbies include annoying people, lying under the table with an empty can of Special Brew (which is, in itself, a form of prayer) thinking about Abraham Lincoln’s hat, and having staring contests with the linoleum.
In common with many other misguided adolescents, he began writing poetry while still at school. Fortunately for mankind, all of this early work has been lost.
Albion is his third poetry collection, and, like the other two, will probably appeal most strongly to people who have a table with one leg 0.33cm shorter than the other three.
In 2010 he was seriously ill and spent six months in hospital. Almost dying has had such a positive effect on his literary career that he is thinking of doing it more often in future.
collection of poems by Steve Rudd
ALBION is available from The King's England Press directly at www.kingsengland.com at £7.95 (print edition, 9 in x 6 in, pbk., 59pp,
ISBN 978 1 872438 65 8)
Or, if you prefer, there is an e-pub edition available from Lulu Inc at £3.99
Steve Rudd was born in Hull, East Yorkshire, in 1955, completely naked, unable to walk, talk, or fend for himself. His chief poetic claim to fame is that he once served Philip Larkin in a bookshop. Unfortunately for both parties at the time, he mistook the great man for Eric Morecambe.
He lives in West Yorkshire with a wife, a cat, and a variable number of dogs, but not necessarily in that order. His hobbies include annoying people, lying under the table with an empty can of Special Brew (which is, in itself, a form of prayer) thinking about Abraham Lincoln’s hat, and having staring contests with the linoleum.
In common with many other misguided adolescents, he began writing poetry while still at school. Fortunately for mankind, all of this early work has been lost.
Albion is his third poetry collection, and, like the other two, will probably appeal most strongly to people who have a table with one leg 0.33cm shorter than the other three.
In 2010 he was seriously ill and spent six months in hospital. Almost dying has had such a positive effect on his literary career that he is thinking of doing it more often in future.

Monday, 25 June 2012
Mirth’s Prime Ministers by Deborah Tyler-Bennett
Defunct barrel-organ’s crinkle-crankle,
thought forgotten, risen,
derelict theatre’s doves. Re-peopling
the past, until sensed orange-peel,
motley stalls, phosphor, as management’s
meagre boys go touting custom.
An old book’s picture conjures
and you’re seated in Row B with others
waiting a worn-out clown’s benediction –
Grimaldi’s final song.
Leant from his chair, hands raised,
paint’s walnut-wrinkly masquerade,
smile wide as Chaplin’s shoe.
Unspoken chorus: ‘Never Joey’s like again’
scarlet-spangle-spangle, blurring tinsel,
hands pressed to lips when all’s concluding.
Like Mum’s visit to George Robey’s last hurrah,
brought forward on a chair for curtain-calls,
twinkling as the orchestra came forward
afraid to miss him.
Hands’ blessing over in thrown dazzle-dust -
from an Empire’s picked-clean crab shell, flighty doves.
George Cruickshank illustrated the great clown Joseph Grimaldi’s ‘Last Song’ in 1839, George Robey, ‘The Prime Minister of Mirth,’ died in 1954 after several farewell tours.
thought forgotten, risen,
derelict theatre’s doves. Re-peopling
the past, until sensed orange-peel,
motley stalls, phosphor, as management’s
meagre boys go touting custom.
An old book’s picture conjures
and you’re seated in Row B with others
waiting a worn-out clown’s benediction –
Grimaldi’s final song.
Leant from his chair, hands raised,
paint’s walnut-wrinkly masquerade,
smile wide as Chaplin’s shoe.
Unspoken chorus: ‘Never Joey’s like again’
scarlet-spangle-spangle, blurring tinsel,
hands pressed to lips when all’s concluding.
Like Mum’s visit to George Robey’s last hurrah,
brought forward on a chair for curtain-calls,
twinkling as the orchestra came forward
afraid to miss him.
Hands’ blessing over in thrown dazzle-dust -
from an Empire’s picked-clean crab shell, flighty doves.
George Cruickshank illustrated the great clown Joseph Grimaldi’s ‘Last Song’ in 1839, George Robey, ‘The Prime Minister of Mirth,’ died in 1954 after several farewell tours.
Wednesday, 13 June 2012
Free short story by Steve Rudd
Free short story for "liking" my writer's page!
Yes - it's shameless self promotion time again!
Because I need to drive up the number of "likes"
on my Steve Rudd author page,
I'm now offering a limited edition of a one-off free
pamphlet of my short story entry for the 2012 Sunday Times Short Story
Competition, "Sunday Girl", which runs to a massive 16 pages in hard
copy, and is also available in e-pub format.
Simply like the page and then send me an email or FB PM
saying whether you'd like the hard copy version or the e-pub file. [Data
protection small print: this data is purely gathered for the purposes of this
exercise and will not be used to bombard you ceaselessly with garbage and
witterings.] This offer will run til 1st July 2012, or until I reach 100
followers, whichever is the sooner.
If you've already "liked" and you want one, ask
your OH or a friend to like me!
STEVE
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